Academic
Freedom and Artistic Expression
[This is a policy statement from the American
Association of University Professors. The statement was
endorsed by AAUP's Committee A on Academic Freedom and
Tenure and by its Council at their meetings in June 1990.
As with all AAUP policy statements, it is in the public
domain. For a comprehensive collection of AAUP statements
see Policy Documents & Reports by the American
Association of University Professors. http://www.eff.org/CAF/academic/
Attempts to curtail artistic presentations
at academic institutions on grounds that the works are
offensive to some members of the campus community and
general public occur with disturbing frequency. Those
who support restrictions argue that works presented to
the public rather than in the classroom or other entirely
intramural settings should conform to their view of the
prevailing community standard rather than to standards
of academic freedom. We believe that "essential as freedom is for the relation
and judgment of facts, it is even more indispensable to
the imagination."
[1]
In our judgment academic freedom in the
creation and presentation of works in the visual and performing
arts, by ensuring greater opportunity for imaginative
exploration and expression, best serves the public and
the academy.
The following proposed
policies are designed to assist institutions to respond
to the issues that may arise from the presentation of
artistic works to the public in a manner which preserves
academic freedom:
l) Academic Freedom in Artistic
Expression. Faculty and students engaged in the creation and presentation of
works of the visual and the performing arts are engaged
in pursuing the mission of the university as much as are
those who write, teach, and study in other academic disciplines.
Works of the visual and performing arts are important
both in their own right and because they can enhance our
experience and understanding of social institutions and
the human condition. Artistic expression in the classroom,
studio, and workshop therefore merits the same assurance
of academic freedom that is accorded to other scholarly
and teaching activities. Since faculty and student artistic presentations
to the public are integral to their teaching, learning,
and scholarship, these presentations no less merit protection.
Educational and artistic criteria should be used by all
who participate in the selection and presentation of artistic
works. Reasonable content-neutral regulation of the "time,
place, and manner" of presentations should be developed
and maintained. Academic institutions are obliged to ensure
that regulations and procedures do not impair freedom
of expression or discourage creativity by subjecting work
to tests of propriety or ideology.
2) Accountability. Academic institutions
provide artistic performances and exhibits to encourage
artistic creativity, expression, learning, and appreciation. The institutions do not thereby endorse the specific artistic
presentations nor do the presentations necessarily represent
the institution. This principle of institutional neutrality
does not relieve institutions of general responsibility
for
maintaining professional and educational
standards, but it does mean that institutions are not
responsible for the views or attitudes expressed in specific
artistic works any more than they would be for the content
of other instruction, publication, or invited speeches.
Correspondingly, those who present artistic work should
not represent themselves or their work as speaking for
the institution and should otherwise fulfill their educational
and professional responsibilities.
3) The Audience. When academic
institutions offer exhibitions or performances to the
public, they should ensure that the rights of the presenters
and the audience are not impaired by a "heckler's
veto" from those who may be offended by the presentation.
Academic institutions should ensure that those who choose
to view or attend may do so without interference. Mere
presentation in a public place does not create a "captive
audience." Institutions may reasonably designate specific
places as generally available or unavailable for exhibitions
or performances.
4) Public Funding. Public funding
for artistic presentations and for academic institutions
does not diminish (and indeed may heighten) the responsibility
of the university community to ensure academic freedom
and of the public to respect the integrity of academic
institutions. Government imposition on artistic expression
of a test of propriety, ideology, or religion is an act
of censorship which impermissibly denies the academic
freedom to explore, teach, and learn.
[1]
Helen
C. White, "Our Most Urgent Professional Task," AAUP Bulletin 45 (March 1959): 282.
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