Shannon E. Sullivan

Day One

Honors Literature and Composition Grade: 9

QCC(s): 33, 34, 36

General Objectives:

Students will:

draw on their prior experience (knowledge) as they use spoken, written, and visual language in their interaction with other readers and writers.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

Introduction:

This lesson will familiarize the students with what constitutes being southern and/or living in the South. This lesson is the first in a unit which will initiate our journey towards cultural awareness as other areas will be explored hereafter including pieces representative of Irish Literature, Asian Literature, British Literature, African and African-American Literature, Native American Literature, etc. The week prior to beginning this unit, the students have been bringing in and sharing their favorite pieces of Southern literature, pictures that depict the South, and or personal stories related to southern experiences. Today, we will be illustrating a technique we have just learned "show, don’t tell" in a short writing assignment. Also, the students’ knowledge of the topic will be determined as we discuss what they consider to be the "typical south" in relation to mannerisms, appearance of the towns, language, and various other stereotypes. We will also begin reading Cold Sassy Tree, our main focus for developing an understanding of the Southern culture.

Specific Objectives:

Students will:

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

conceive and develop ideas about a topic for the purpose of speaking to a group, choose and organize related ideas, present them clearly in standard American English, and evaluate similar presentations by others (36).

Procedures:

Teacher will:

announce that each Friday there will be a quiz: week one: characterization, week two: theme, week three: language and dialect; "Y’all come back now, ya hear?".

ask the students to close their eyes and picture in their minds a typical southern town.

ask students to spend ten minutes writing a short paragraph (3-4 sentences) describing their town and drawing an illustration of what they "see" (colored pencils, crayons, and paper will be provided).

ask the students to share their "visions" with the class.

make a list on the overhead combining the students’ comments.

ask students to combine into pairs, and instruct them to jot down a list of movies or television shows they have seen that exemplify the South (five minutes).

ask students to make a list of characteristics that exemplify the South.

ask students to share their lists with other groups through a "give one, get one" activity (refer to Supplementary Materials: "Give One/Get One") (ten minutes).

ask students will share their discoveries as a class. They will be asked if the characteristics they listed of the movies/television shows had any influence on their visual interpretation of the typical southern town, and if so, in what way. If not, they will be asked to share what in their life might be such an influence (a few students may be chosen at random to answer these questions).

read the first two chapters from Cold Sassy Tree aloud to the students (may also ask for volunteers to read).

give students time to read Chapter Three and Four in class.

ask students to comment on any "southern characteristics" including the language that they recognized in the text. As we read, the students need to pay close attention to the characters so that they may begin thinking about who they may focus on for their character analysis sketch and dialogue journal (both will be due on Monday) (refer to Supplementary Materials: "Character Analysis Rubric" and "Dialogue Journal Rubric").

hand out a syllabus for the unit on Cold Sassy Tree (students will be informed that they must bring this with them everyday and that it must be returned upon the completion of the unit to be counted as ten points towards their final quiz grade).

give students the rubric for the dialogue journal, give them time to start.

Closing:

The teacher will ask the students what questions they have regarding the activities they completed for the day. They will be made aware that tomorrow they will be discussing briefly the life of Olive Ann Burns and how the novel relates to her own life. We will continue reading CST in class both aloud and in our reading groups.

Evaluation:

Students will be given a grade for their visuals which will count towards their participation.

Materials:

paper, notebooks, pen or pencil, colored pencils, crayons, and colored paper, overhead projector, overhead markers, copy of Cold Sassy Tree.

Assignments:

For homework the students will be required to read Chapter Five and Six of CST (pages 28-36), paying close attention to the characters. Also, they need to have recorded three passages and responded to them in their dialogue journals.

Extenders/Backup:

If students finish early they may begin their homework reading assignment.

Provisions for Individual Differences:

These students will be given various passages to which to respond rather than having to determine a passage of importance on their own from the text.

Examples:

"she’s as dead as she’ll ever be ain’t she? Well, ain’t she?"

"Anytime Grandpa had something to say, it was something you couldn’t wait to hear."

Teacher Notes:

~As students create their towns, will prompt them to include the stereotypical aspects: Do you picture a person sitting in rocking chair, drinking sweet tea, waving a fan…? What is the weather like? Is there a conversation in progress? What are they discussing?

~Add to movies/television list: Fried Green Tomatoes, Sweet Home Alabama, "The Andy Griffith Show", etc.

~Possible questions to parallel reading: What is the setting of the story? (Refresh students’ memory of setting: Where does story take place? Time period?) What do you know about the early 1900s? Although GB’s situation might not seem like such a big deal in today’s society, do you think that Mary Willis and Aunt Loma were justified in their reactions? What is your impression thus far of Will Tweedy? Do you feel that he is a credible narrator? (Refresh students’ memory of narrator).

~Vocabulary words (Students will be asked to designate a section of their notebooks for vocabulary words): genteel: having or showing good taste and refinement, lockjaw: tetanus; an infectious disease which enters the body through a wound, trestle: a bridge for trains, chifforobe: a dresser for clothing, pottage: a thick stew or soup, privie: an outhouse, buster: slang for something or someone remarkable or great, suffragette: a woman who advocates the right of women to vote, arbor: a place shaded by trees or shrubs.. *Each of the vocabulary words will be introduced in the context of the novel.

~Model how to do the dialogue journal!

~ask students if they have any questions regarding the dialogue journal! Walk around the room while students start journal to help those who are struggling.

 


 

Give One/Get One Activity:

Instructions:

Take out a blank sheet of paper.

Fold paper in half vertically.

Write "give one" on one side and "get one" on the other.

List everything you already know about the South (from movies, television shows, music, things you read) under the "give one" column (prior knowledge).

Once we begin to share with one another, you will write all "gathered" information under the "get one" column.

 



 

Shannon E. Sullivan

Day Two

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 33, 34, 36

General Objectives:

Students will:

read a wide range of texts to build an understanding of themselves and of the culture of the United States and the world.

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They will draw on their prior experiences through their interactions with other readers and writers.

develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

Today we will be discussing briefly the background of the author, Olive Ann Burns, to get a sense of where she grew up and how that relates to the novel, including the portrayal of the characters. As we continue to read CST, we will discuss characterization, and assign reading groups and the character analysis assignment. Students, along with teacher will create a Cold Sassy Family Tree.

Specific Objectives:

Students will:

vary reading speed and methods according to the type of material and purpose of reading (28).

identify the structural elements of literature (29).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and asks questions for clarification (34).

conceive and develop ideas about a topic for the purpose of speaking to a group, choose and organize related ideas, present them clearly in standard American English, and evaluate similar presentations by others (36).

Procedures:

Teacher will:

engage students in a discussion of the previous night’s reading.

introduce allusion: example from text (term should be added to the literary elements section of their notebook).

talk briefly about Burn’s life.

present a mini lesson on characterization on which students will take notes.

invite students to explore characterization through self analysis activity (refer to Supplementary Materials: "Character As Self").

hand out guidelines for discussion circles (Refer to Supplementary Materials: "Discussion Circles").

assign students to read Chapter Seven and Eight aloud in their groups.

ask each group to turn in four passages that they have chosen for discussion related to the chapters they have covered in their groups.

create a Cold Sassy Family Tree along with the students (students will draw Sassafras tree in which to place the characters) (refer to Supplementary Materials: "Family Tree").

give students list of new vocabulary words.

hand out rubric for lyric assignment (Due Friday) (Refer to Supplementary Materials: "Lyric Assignment").

tell students to start noting passages for their dialogue journals with their sticky notes as they do their nightly reading.

Closing:

The students will be asked the following questions in a whole class discussion format: In reference to today’s notes, what type of character is Grandpa Blakeslee? We will also brainstorm a list of physical characteristics. What do other people think of Grandpa Blakeslee? Ask if they have any questions regarding characterization. The students will be informed that we will continue to look at character development on Wednesday as we cover more chapters of CST.

Evaluation:

Students will turn in their chosen passages that relate to character development along with their written responses to each passage. These passages/responses will be evaluated according to the depth of the critical analysis. This assignment will later be included in their reader response journals. Students will be advised to save their Cold Sassy Family Trees to study for the quiz on Friday. Teacher will check students dialogue journals to ensure that they are up to date.

Materials:

pens, paper, copy of Cold Sassy Tree, syllabus, notebooks with separate sections for notes, reader response journal, literary elements, and vocabulary, projector, projector pens

Assignments:

For homework the students will be responsible for reading Chapter Nine and Ten of CST (pages 49-63). They will need to place sticky notes in their books to 1. mark passages if they are the passage master, 2. write questions if they are the questioner, 3. take notes for connector ideas, 4. list ideas for an illustration. Students will be reminded that they should continue to pay close attention to the characters and their development and begin to think about one character in particular on whom they would like to focus for 1. the dialogue journal, and 2. their character analysis sketch. Also, students will need to have at least two more passages recorded for their journal (will check for these daily).

Extenders/Backup:

If students finish activities early, they may begin reading Chapter Nine and Ten of CST.

Provisions for Individual Differences:

See Supplementary Materials for characterization notes

Teacher Notes:

~give students a brief summary of the previous night’s reading.

~refer to notes about Burn’s to share with students.

Does anyone recall the meaning of the term allusion? Can you give me an example from last night’s reading?

~introduce Katzenjammer Kids as example.

~discuss with the students why the author may use allusion in a story. In the example given, what might have been the author’s intent?

~advise students to continue to look for instances of allusion throughout the novel.

~refer to notes to familiarize students with characterization.

~hand out guidelines for discussion circles and review each job thoroughly with the students, answering any questions they may have.

~cover thoroughly the guidelines for the lyric assignment, reaffirm school and classroom rules!

~circulate around the room during all group activities to make sure that all students remain on task.

~Don’t forget to check dialogue journals!

~be eager to answer any questions that they may have during their group assignments.

~remind students that their dialogue journals and character sketches will be due on Monday!

~Vocabulary words: booger: a person, animal, or thing, which often causes trouble for a person. *Vocabulary words will be introduced in the context of the novel.

 


Day Two: Notes Shannon E. Sullivan

Literature and Composition Grade: 9

*Note: The following will be given to a special needs student to follow along in the note taking. Italicized portion will be deleted for them to fill in as the discussion takes place.

 

Literary Elements: Characterization

The characters in literature are part of what makes literature intriguing to readers. A writer makes a character come alive through characterization, the means by which a character’s personality is revealed.

METHODS OF CHARACTERIZATION

1. Showing the character acting and speaking
2. Giving a physical description of the character
3. Revealing the character’s thoughts
4. Revealing what other characters think about the character
5. Commenting directly on the character

*Items one through four in the about chart are indirect methods of characterization. By using these methods, a writer shows or dramatizes the character and allows you, the reader, to draw your own conclusions. Item five is a direct method of characterization. By using this method, the writer directly tells you what the character is like.

 


 

Different terms are used to describe the types of characters a writer can create. Some characters require little development because the reader, through past experience, already knows what to expect of them.

TYPES OF CHARACTERS

TYPE:

DESCRIPTION:

EXAMPLE:

Flat

A character who has only one or two "sides" representing only one or two traits-often a stereotype, such as an "anxious miser"

Students make suggestions in relation to stories they have read

Round

A character who is complex and has many "sides" or traits, with unpredictable behavior and a fully developed personality

Students make suggestions in relation to stories they have read

Dynamic

A character who experiences an essential change in personality or attitude

Students make suggestions…

Static

A character who does not change or develop beyond the way in which he/she is first presented

Students make suggestions…

 


 

Literary Elements: Characterization

 

The characters in literature are part of what makes literature fascinating to readers. A writer makes a character come alive through characterization, the methods used to present the personality of a character. The following chart present the methods of characterization.

 

METHODS OF CHARACTERIZATION

1. Giving a physical description of the character.
2. Showing the character’s actions and letting the character speak
3. Revealing the character’s thoughts
4. Revealing what other characters think of the character
5. Commenting directly on the character

 

*Items one through four are methods of indirect characterization. By using these methods, a writer shows or dramatizes the character and allows you, the reader, to draw your own conclusions about the character. Item five is a method of direct characterization. By using this method, the writer tells you directly what a character is like.

 


 

Fill in the charts below using what you know so far about the following characters:

CHARACTERIZATION: Grandpa Blakeslee

Method: Example:
Physical Description  
Character’s Thoughts and Fears  
What Others Think of the Character  
Direct Comments on the Character  

 

CHARACTERIZATION: Will Tweedy

Method: Example:
Physical Description  
Character’s Thoughts and Fears  
What Others Think of the Character  
Direct Comments on the Character  

 

CHARACTERIZATION: Mary Willis

Method: Example:
Physical Description  
Character’s Thoughts and Fears  
What Others Think of the Character  
Direct Comments on the Character  

 

CHARACTERIZATION: Aunt Loma

Method: Example:
Physical Description  
Character’s Thoughts and Fears  
What Others Think of the Character  
Direct Comments on the Character  

 

CHARACTERIZATION: Love Simpson

Method: Example:
Physical Description  
Character’s Thoughts and Fears  
What Others Think of the Character  
Direct Comments on the Character  

 

CHARACTERIZATION: Mattie Lou

Method: Example:
Physical Description  
Character’s Thoughts and Fears  
What Others Think of the Character  
Direct Comments on the Character  

 

Adventures for Readers: Book Two. Harcourt Brace Jovanovich.

 


 

Week One Shannon E. Sullivan

Honors Literature and Composition Grade: 9 QCC(s): 34, 40, 42

Specific Objectives:

Students will:

follow multipart instructions and ask questions for clarification (34).

writes in narrative, descriptive, persuasive, and expository modes of writing (40).

writes for a variety of purposes (42).

Character Analysis Through Self-Evaluation

"In this game of life, what character do you play?"

Instructions: As we begin studying characterization, we will first evaluate ourselves as characters. Complete the following chart and statements below:

Today’s Date  
Name  
Age/Birthdate  
Birthplace  
Physical Description  
Likes and Dislikes  
Personality Description (adjectives, how do you and others describe you)  
Person You Admire the

Most/Why

 
Biggest Fear  
Strongest Belief  
Favorite Thing to Do  
Worst Habit  

I am a __________ person because I __________. If I were a __________ I would __________. I used to __________ now I __________. People say that I am__________ because I __________. I am always happy whenever I see__________. __________ upsets me a great deal. I find it easy to talk about __________ but difficult to discuss__________. If I wrote a story about my life it would be__________.


"Who Am I?". www.yale.edu/ynhti/curriculum/units/1980/3/80.03.08.x.html. 10/15/02

 


 

Shannon E. Sullivan

Honors Literature and Composition (09)

Character Analysis Paper:

Instructions:

Student must:

Identify the type of the character (round, flat, dynamic, static)

Identify central traits/major habits of the character.

Demonstrate an understanding of the character by revealing their growth throughout the progression of the novel up until Chapter Eighteen.

Write in a clear and organized fashion around a central theme.

Clearly present each paragraph.

Show the progression from one paragraph to the next.

Vary sentence structure.

write a paper that is free of grammatical and spelling errors.

(*Refer below to a scoring guide)

*This paper will not be conclusive in that you will not be expected to follow the character throughout the entire novel. As part of your conclusion to the paper, you should include an educated guess (why have you inferred what you have inferred? Indicate on what information/details you relied to draw this conclusion) about how the character will grow, change, or otherwise develop upon the conclusion of the novel.

*You will be asked upon completion of the novel to refer to this paper to reevaluate your prediction in comparison to the actual outcome. (This follow up assignment will be in the form of a journal entry.)

Scoring Rubric for Character Analysis:

 

5

Strong

4

Competent

3

Developing

2

Emerging

1

Not Yet

Ideas:

~clear and focused

~holds readers attention

~details enrich theme

~original treatment of ideas

 

~adequate treatment of ideas

~some attempt to support, may be confused by irrelevant details

 

~information unclear of inadequate for development

~text repetitious or disconnected

Organization:

~order and information is compelling, flows smoothly

~inviting introduction and satisfying conclusion

~good transitions

 

~structure moves through text without confusion

~recognizable introduction and conclusion

~connections between ideas are unclear at times

 

~writing lacks sense of direction

~ineffective or nonexistent intro and conclusion

~main point is unclear

Word Choice:

Powerful, engaging words

~phrases create pictures

 

~words are adequate and correct

~mundane nouns and little adjectives or adverbs

 

~vocabulary is vague and immature

~stream of consciousness thinking

Sentence Fluency:

~writing has an easy flow

~strong, varied sentences

 

~sentences are generally correct with some variety

 

~sentences are choppy and awkward and mostly simple

Conventions:

~demonstrates grasp of standard writing conventions

~minor errors

 

~reasonable control over conventions

~some misspellings and errors in punctuation

 

~frequent errors in conventions, may interfere with reading

"Scoring Rubric for Writing. http://ww\eb.rbe.sk.ca/lang/Spring%202001/scoring_rubric_for_writing.htm. 10/11/02

 




Week One Shannon E. Sullivan

Honors Literature and Composition (09) QCC(s): 40, 42

Specific Objectives:

Students will:

write in narrative, descriptive, persuasive, and expository modes of writing.

write for a variety of purposes…

Dialogue Journal:

~As you read Cold Sassy Tree, you will copy passages that are meaningful to you and that explores the character that you will write about EXACTLY as they are written in the text. You will then describe the situation in which the passage is taking place. Also, you will respond to each passage (you may ask questions, agree or disagree, give your opinion). Refer to the chart below:

1. Write the passages on the left side of your paper along with

description of the situation taking place.

2. Write your responses to the text on the right side of your paper.

3. In your responses, focus on the text and your reactions to your

character.

4. You may comment on what’s missing or ask questions, argue, or

agree with the text.

~This journal will become the beginning point for the paper you will write. You should be able to narrow your selections to several quotes to use as your thesis (hint, hint).

~You must cite and respond to at least 10 passages.

*Dialogue journal and character sketch are due on Monday of week two at the beginning of class!!

 

Passages and Situation: Response:
 

 

 
 

 

 

 
 

 

 

 
 

 

 

 
 

 

 

 
 

 

 

 
 

 

 

 
 

 

 

 
 

 

 

 
 

 

 

 

 

Evaluation:

Along with the Character Analysis paper, this assignment is worth 15% of the overall grade. You will be graded on completion and the depth of your analysis.

 

 


 

OLIVE ANN BURNS

Olive Ann Burns was a writer for all of her professional life, but she completed only one book before her death in 1990. That book, Cold Sassy Tree, has become a phenomenon since its publication in 1984, selling over one million copies worldwide and still going strong. As a novel about coming of age in a small Southern town, it has taken its place alongside such American classics as Mark Twain's The Adventures of Tom Sawyer and Harper Lee's To Kill A Mockingbird. It was made into a TV movie in 1989 starring Faye Dunaway and Richard Widmark, and now it has been adapted into an opera by Carlisle Floyd.

Olive Ann Burns was born in Banks County, Georgia on July 17, 1924, on land originally farmed by her great-great-grandfather. She was the youngest of four children. Her father, Arnold Burns, did his best to support the family through farming, but it eventually became a losing proposition, hastened by the Depression. In 1931, the family could no longer afford to remain on the farm. They were forced to rent it out while they moved in with Arnold's mother in Commerce, Georgia.

It wasn't until Olive Ann got to high school in Macon, Georgia, where her father was working for a cotton cooperative, that she began to take writing seriously. With encouragement from her ninth grade teacher, she went to work for the school newspaper. Upon graduation from high school, she entered Mercer University in Macon where she edited the campus literary magazine. After her sophomore year, she transferred to the University of North Carolina, where she graduated with a degree in journalism in 1946.

Within a year after graduation, Olive Ann secured a job as a staff writer at the Atlanta Journal Sunday Magazine, under its founding editor, Angus Perkerson. A remarkable editor with a sure instinct for what people would read, Perkerson had given a young Margaret Mitchell her first job in 1922. Mitchell, of course, went on to write Gone With the Wind. Olive Ann worked as a staff writer on Sunday Magazine until 1957. In 1956, she married one of her fellow staff writers at the magazine, Andy Sparks. They had two children, a daughter born in 1957 and a son born in 1960.

During the early years of her marriage, Olive Ann didn't write much at all. In 1960, though, she jumped at the chance to work at home as the advice columnist for the Atlanta Journal under the pseudonym "Amy Larkin". She stayed at this task until 1967, at which time she gave up the column and resumed writing three or four stories a year for the magazine.

In the fall of 1971, Olive Ann's mother underwent surgery for stomach cancer. Her mother's illness provided the incentive for Olive Ann to begin a family history. Her mother died in 1972, but Olive Ann completed the project using her father's recollections of the colorful history of his side of the family. One of her father's favorite stories was about his Grandpa Power, who remarried soon after his first wife died. When a daughter protested that her mother had been dead for only three weeks, Grandpa Power said, "Gosh a'mighty, she's dead as she'll ever be, ain't she?" Olive Ann always thought that would be a wonderful beginning for a novel, but she never thought she would write it.

Olive Ann's perspective on writing a novel changed when she herself was diagnosed with cancer in 1975. She knew she would have to find some way to keep her mind off her illness, so she began the writing project which became Cold Sassy Tree. She worked on the novel for eight and one-half years, finishing at the age of sixty. In writing the novel, Olive Ann drew on her father's recollections of his youth spent in the northeast Georgia community of Commerce, the model for Cold Sassy. Her inspiration for the character of Grandpa Blakeslee (whose name is changed to Lattimore in the opera) came from the stories her father had told her about his Grandpa Power. The narrator of Cold Sassy Tree, Will Tweedy, is based on her father. Although the story is rooted in Burns family history, the characters are fictional

Published in 1984, Cold Sassy Tree became an overnight success. Critics praised it for its richness of emotion, humor and tenderness. Barbara Bush declared it to be one of her favorite books. Oprah Winfrey and B.F. Skinner wrote grateful letters to its author. With success came pressure from her many new fans to write a second novel continuing the story of Will Tweedy. Not long after she began work on a sequel to Cold Sassy Tree, her cancer returned. Olive Ann battled cancer on and off for ten years and spent the last three years of her life confined to bed with congestive heart failure. She died on July 4, 1990. Her unfinished sequel, Leaving Cold Sassy, was published after her death.

Olive Ann once told an interviewer, "It has been said that growing up in the South and becoming a writer is like spending your life riding in a wagon, seated in a chair that is always facing backwards. I don't face life looking backwards, but I have written about past times and past people. To write Cold Sassy Tree, I interviewed parents, aunts, and old cousins, and I took down what they said in their own words, using the rhythms of their own speech. What I was after was not just names and dates. I wanted stories and details that would bring the dead to life."

Although Olive Ann Burns' literary output was limited to two works, her colorful characters, detail-driven use of setting, and humor-laced plots endeared her to readers of all ages. In large part because she was inspired by what she knew best — the idiosyncracies of her own family history — Burns was able to bring a region and an era to life.


"Olive Ann Burns". http://www.visitnortheastgeorgia.com/oliveannburns.htm. 11/27/02.

 


 

Discussion Circles

Questioner:

Name:

Book:

Assignment (page #s):

Your job is to write down five THOUGHT PROVOKING questions that you have about this part of the book. What were you wondering about while you were reading? Did you have any questions about what was happening? What a word meant? What a character did? What was going to happen next? Why the author used a certain style? Or what the whole thing meant? Try to notice what you are wondering while you read, and jot down some of those questions either along the way or after you have finished.

Passage Master:

Name:

Book:

Assignment (page #s):

Your job is to locate five passages that your group would like to hear read aloud. The idea is to help people remember some interesting, powerful, funny, puzzling, or important sections of the text. You decide which passages or paragraphs are worth hearing, and then jot down plans for how they should be shared. You can read the passage aloud yourself, ask someone else to read, or read them silently and then discuss. You must also note the context of the passage. Follow this format:

Page #, paragraph, context of the passage, reason for picking, plan for reading

Artful Artist

Name:

Book: Assignment (page #s):

You are the artist! Your job is to draw or visually represent and explain at least four of the following: character, the setting, conflict, theme, symbolism, foreshadowing, suspense.

Let others guess your artwork first, then you can tell about it.

 

Connector:

Name:

Book:

Assignment (page #s):

Your job is to find connections between the book your group is reading and the world outside. This means connecting the reading to your own life, to happenings at school or in the community, to similar events at other times and places, to other people or problems that you are reminded of. You might also see connections between this book and other writings on the same topic, or by the same author. There are no right answers here—whatever the reading connects you with is worth sharing! Must write atleast a one-page response!

Evaluation:

Tasks will be evaluated by the depth of analysis (passage master), creativity and relevance (artful artist), thought provoking questions (questioner—no yes/no questions!), and degree of connection (connector—did you relate to your own life/experiences?). Tasks are worth 15% of the overall grade. The first DC will be graded as participation/miscellaneous (5%) with comments so you know what to expect for next time.

Adapted from

Daniels, Harvey. Literature Circles: Voice and Choice in the Student-Centered Classroom.

Stenhouse Publishers, York ME, 1994

 


 

Cold Sassy Family Tree:

Instructions:

 

You must construct your tree in such a way as to demonstrate your knowledge of a sassafras tree.

The "Cold Sassy" family must be placed strategically in the tree to illustrate hierarchy, relationships, characteristics, etc.

You must include a key at the bottom of your paper that explains your choice of color (how each relates to the characters) and placement of the family.

This assignment will be included among the other activities that are worth 10% of the overall grade for the unit.

 


 

Lyric Assignment

With a partner, choose a song that you feel best exemplifies the South as it is presented in Cold Sassy Tree.

You will need to clip this song to two minutes in order to present it to the class.

You must bring a written copy of your lyrics with you to class on the day of the assignment.

While listening to your fellow students’ clips, you will need to record the name of the song and describe in two-three sentences how it relates to CST.

At the end of class we will vote on which song we feel best satisfies the assignment. Winning team will receive two bonus points on Quiz Two.

Evaluation:

This assignment along with others accounts for 10% of your overall grade. Lyrics MUST be appropriate for school (rules will be reviewed).

*Songs will be previewed before presentation; if found to be inappropriate you will receive no credit for the assignment.

 



 

Shannon E. Sullivan

Day Three

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 33, 34, 36

General Objectives:

Students will:

read a wide range of texts to build an understanding of texts, themselves, and of the cultures of the United States and the world.

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They will draw on their prior experiences through their interactions with other readers and writers.

develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

In this lesson the students will critically explore Cold Sassy Tree using the pre-assigned discussion circle format to further their understanding of characterization. They will also answer a few questions that correspond with their group reading assignment. Near the end of the period they will be given time to work on their lyric assignments which are due Friday. As a wrap up assignment, they will choose from the literary terms discussed thus far and illustrate their understanding in a journal.

Specific Objectives:

Students will:

vary reading speed and methods according to the type of material and purpose of reading (28).

identify structural elements of literature (29).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

conceive and develop ideas about a topic for the purpose of speaking to a group, choose and organize related ideas, present them clearly in standard American English, and evaluate similar presentations by others (36).

Procedures:

Teacher will:

discuss in a mini lesson, plot and conflict.

brainstorm with students a list of examples of both plot and conflict from the previous night’s ( or any night’s) reading assignment (should be added to the literary elements section of their notebooks).

play the cassette recorded version of CST Chapters Eleven and Twelve.

ask students to refer to Chapters Nine and Ten , and using the notes they should have taken while reading, take the first ten minutes of class to work on writing the literature task (refer to discussion circle guidelines).

ask students to get into discussion circles and discuss their task (i.e. passage master, discussion director, illustrator, and connector).

ask students to read Chapter 13 aloud in their groups (will have questions to answer over Chapters 11-13--refer to teacher notes).

ask students to spend fifteen minutes with their partners working on their lyric assignment (due Friday).

ask students to write a half page journal entry (will be placed with in the literary terms section of their notebooks).

Closing:

The students will be reminded of the terms they have learned thus far: setting, plot, characterization, and conflict. They will be asked to choose two of those terms to discuss from the read-aloud and to write a half a page in which they will discuss specific passages that explore the chosen terms. They will need to demonstrate an understanding by evaluating their examples. Students will be reminded to continue adding information to their dialogue journals. They will be made aware that for Thursday we will continue reading CST and sharing what we’ve learned in our discussion circles and that we will also have a short review for our upcoming quiz on Friday.

Evaluation:

The students will be asked to turn in their literature circle tasks. I will also do a quick notebook check to ensure that they are maintaining the correct organization throughout. Those students with satisfactory notebooks will be given three bonus points on Quiz One.

Materials:

paper, pen or pencil, notebooks, projector, projector pens, sticky notes, colored paper, crayons and colored pencils, copy of Cold Sassy Tree, cassette tape of CST and player

Assignments:

For homework the students will be required to read Chapters Fourteen and Fifteen (pages 85-93). They will be given twenty minutes at the beginning of class to organize their tasks for the discussion circles, but they will still need to put sticky notes in their books for reference as they read. They will also need to add at least two more passages and response to their dialogue journal.

Extenders/Backup:

reader response assignment (refer to Supplementary Materials: "Reader Response").

Provisions for Individual Differences:

They will be given notes on the literary elements covered in this lesson in which they will be asked to fill in the blanks while following along in the lesson. I will ask students various questions to help them get started on their journals.

Teacher Notes:

Plot: what happens in the story, the action.

Conflict: struggle between two opposing forces; man vs. man, nature, society, supernatural, and/or himself.

~construct a Cold Sassy family tree along with the students.

~circulate around the room while students are in their discussion circles. Stop at each group to make sure they have remained on task. If not, ask them questions to redirect them, i.e. "Why is the town referred to as Cold Sassy? How does Will differentiate between ‘to mourn’ and ‘to be in mourning’?"

~consult with each student regarding their dialogue journal. Question them about their character of choice. Offer passages as suggestions if they are struggling.

Questions for discussion circle reading:

Read the passage regarding the sassafras tree. What do you think it represents in the novel? *Creativity is the spice of life! (Chapter 11).

Why does Will like Lightfoot McClendon? How does he feel about the other mill children?

Briefly summarize Chapter 12. What is the significance of this chapter?

Who is Loomis (Chapter 13)?

 



 

Shannon E. Sullivan

Day Four

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 32, 33, 34, 36, 37

General Objectives:

Students will:

read a wide range of texts to build an understanding of themselves and of the culture of the United States and the world.

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They will draw on their prior experiences through their interactions with other readers and writers.

develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

Today we will discuss the previous night’s homework in a whole class discussion format, and then we will watch the film version of Cold Sassy Tree through the section that corresponds with what we have read. The students will view the character development in the film as it compares to the development in the novel to further their understanding of the character depiction and development. Students will also create a comparison contrast chart to indicate their understanding of the similarities and differences in the novel and film.

Specific Objectives:

Students will:

vary reading speed and methods according to the type of material and purpose of reading (28).

identify structural elements of literature (29).

experience a variety of print and non-print resources (32).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

evaluate the messages and effects of mass media (37).

write well-developed paragraphs with clear, controlling ideas (39).

use precise punctuation, capitalization, spelling, and other elements of manuscript form (41).

Procedures:

Teacher will:

briefly discuss the previous night’s reading assignment.

show the students the video so that they may gain an alternate perspective of character development.

give students question to guide their understanding while watching the video.

review the expectations for a comparison/contrast essay.

instruct students to construct a comparison/contrast format response chart for the video/novel’s characterization (refer to Supplementary Materials: "Compare and Contrast").

give students time to work on lyric assignment.

Closing:

Students will be asked if they have any questions about characterization, and they will be reminded that Thursday we will have a review for the characterization quiz on Friday. They will also be reminded that their dialogue journals and character analysis papers will be due on Monday.

Evaluation:

Students will be asked to turn in their comparison/contrast essays for a miscellaneous grade (10%).

Materials:

Television, VCR, CST video, paper, pen/pencil, questions to guide video

Assignments:

Students will read Chapter Sixteen (pages 94-101) for homework.

Extenders/Backup:

If students finish early they may begin reading Chapter Sixteen.

Provisions for Individual Differences:

As we construct our charts these students may work with a partner if they wish.

Teacher Notes:

~Questions to correspond with the video:

Does each of the characters look the way you pictured them? Why or why not? In what way?

Do you feel that the film captured important character details comparable to the novel? Why or why not?

Has this film strengthened your understanding of the characters and their development so far? Why or why not?

What might the directors of the film have done differently to better portray the characters?

~Don’t forget to model the comparison/contrast chart. Have students help you fill in your chart while they fill theirs in.

 


 

Comparison/Contrast Activity

Instructions: Fill in the following chart appropriately

SIMILARITIES:

(supporting details below)

DIFFERENCES:

(supporting details below)

1. 1.

 

 

2. 2.

 

 

3. 3.

 

 

4. 4.

 

 

5. 5.

 

 

6. 6.

 

 

7. 7.

 

 

8.

 

 

8.

 

9.

 

 

9.
10.

 

 

10.

 



 

Shannon E. Sullivan

Day Five

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 33, 34, 36

General Objectives:

Students will:

read a wide range of texts to build an understanding of themselves and of the culture of the United States and the world.

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They will draw on their prior experiences through their interactions with other readers and writers.

develop and understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

Today we will continue reading aloud as a class and in our discussion groups while we further our understanding of the characters in the novel and how they develop. We will also play a review game to help us to prepare for our first quiz (to be given Friday).

Specific Objectives:

Students will:

vary reading speed and methods according to the type of material and purpose of reading (28).

identify the structural elements of literature (29).

engage critically and constructively in discussion by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

conceive and develop ideas about a topic for the purpose of speaking to a group, choose and organize related ideas, present them clearly in standard American English, and evaluate similar presentations by others (36).

Procedures:

Teacher will:

present a mini lesson on point of view Refer to Supplementary Materials: "Point of View").

engage students in a brief discussion of Will Tweedy as the narrator.

give students ten minutes to organize their discussion circle tasks.

give students fifteen minutes to discuss in circles.

have students write ten questions in their groups that they feel should (or might) be on the quiz (guidelines will be written on the board).

play cassette tape of Chapters Seventeen and Eighteen.

take questions from each group and mix with own questions for the review game.

Guide students in a review game for the first quiz (Weakest Link format). Game will only take twenty-five minutes (refer to Supplementary Materials: "Quiz One Review Game").

instruct students to spend the last minutes of the period working on their dialogue journals so that they will not have to do them for homework.

Closing:

The students will be asked what questions they have concerning the day’s lesson or any previous days. Teacher will remind students to study for their quiz and to be prepared to present their lyrics to the class on Friday. As we wrap up the week on characterization, the teacher will remind the students that on Monday we will start our discussion on theme.

Evaluation:

The students will be given a participation grade: the teacher will collect the questions from each group (did they write quality questions, or not?). Also, when playing the game, the winning team will receive three bonus points on the quiz; the first runner-up will receive two points, and the second runner-up will one point. This should also indicate how the students have been spending their time in their groups.

Materials:

Copy of CST, overhead projector and markers, point of view notes, cassette player and cassette tape

Assignments:

Study for quiz Chapters 1-17.

Extenders/Backup:

If the students finish their work early, they may quietly study for their quiz. If they would prefer to work in their groups, they may.

Provisions for Individual Differences:

Similar to what was done with the characterization notes, teacher will provide these students with the same (notes/fill-in-the-blank format). As they work on their dialogue journals teacher will circulate around the room to answer questions and offer assistance. Teacher will monitor more closely those students with special needs.

Teacher Notes:

~Brief discussion of Will Tweedy as the narrator:

~In what point of view is the story? What do you think of WT as the narrator? Is he credible? Why or why not?

~Guidelines for group questions for review:

~Questions should address the following: setting, plot, conflict, characters/characterization, important passages to consider, WT as the narrator, vocabulary, etc.

~For the game, teacher will reword those that the students created, and will ask a combination of questions from the quiz (reworded).

 


 

Literary Elements: Point of View

Point of view is the vantage point, or perspective, from which a story is told. What a reader knows about the story’s characters and actions depends upon the writer’s point of view. The point of view determines how much the narrator can reveal about the characters.

POINTS OF VIEW

Point of View: Narrator:
First-person The narrator is a character in the story who tells the story in his or her own words, from the "I" vantage point. Because of this, the reader knows only what the narrator knows and observes.
Third-person limited The narrator, who is not a character in the story, focuses on the thoughts and experiences of only one character. The reader again knows only what this one character knows. The narrator tells the story from the vantage point of "he" or "she."
Third-person omniscient The narrator, who is not a character in the story, describes all the characters and actions in the story as well as comments on what the characters think and feel. This "all-knowing" narrator also tells the story from the vantage point of "he" or "she."

First-Person: the narrator ("I") is a character in the story who can reveal his or her own thoughts and can tell what is seen or heard about others.

Third-Person Objective: The narrator is not a character in the story and reports only what can be seen and heard. Unspoken thoughts and feelings are not revealed.

Third-Person Limited: The narrator is not a character in the story and reveals the thoughts and feelings of one character, basically telling the story through that character’s experiences.

Third-Person Omniscient: The narrator is not a character in the story and is "all-knowing," able to reveal the thoughts and feelings of any character and to describe events from the viewpoint of any character.

 

 

Adventures in Reading. Harcourt Brace Jovonavich. 10/15/02

"Pont of View". America Reads. Scott, Foresman and Company. 10/15/02

 


 

Weakest Link Review Game:

Each group will designate the order in which their members will answer questions.

One at the time members from each group will compete with one another as they are asked questions in the format mimicking "The Weakest Link".

The team to receive the most points, the first runner up, and the second runner up will be given extra points in descending order on their quizzes. (Hint: This is your opportunity to show how productive you have been in your groups!!)

 



 

Shannon E. Sullivan

Day Six

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 34, 40

General Objectives:

Students will:

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts.

develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

Students will be given a quiz wherein they will be asked to demonstrate an understanding of characterization as it has been studied using the Cold Sassy Tree text. Also, now that students have been exposed to the South through written means, dramatization, and auditory methods, they will be asked to present their depiction of the Cold Sassy South through the lyrics of their choice. They will refer to this assignment as we start our discussion of thematic elements of the South and Cold Sassy the following week.

Specific Objectives:

Vary reading speed and methods according to the type of material and purpose of reading (28).

identify structural elements of literature (29).

follow multipart instructions and ask questions for clarification (34).

writes in narrative, descriptive, persuasive, or expository modes of writing (40).

Procedures:

Teacher will:

distribute the quiz.

read the directions with the students and offer clarification and examples as needed.

reestablish the directions for the lyric assignment.

Closing:

Students will be asked to place their lyric assignment notes as well as a written copy of the lyrics in their notebooks, so that they will have them to use as reference as we begin our exploration of theme in CST on Monday.

Evaluation:

Quizzes will be collected and graded. A participation grade will be given for the lyric assignment as the teacher will approach each student’s desk to check whether or not they participated in the assignment.

Materials:

Cassette player, students’ lyric clips, paper, pen/pencil, copy of Cold Sassy Tree

Assignments:

For homework students will be assigned to read Chapters Nineteen and Twenty (pages 120-135).

Extenders/Backup:

If students finish early they may work on their dialogue journals and character analysis papers (due Monday) or they may begin their weekend reading assignment.

Provisions for Individual Differences:

Students with individual differences will be allowed to take the quiz in the library under supervision and may take all the time that they need to complete the quiz. Their groups may present their lyrics last if necessary.

Teacher Notes:

~remind students of the rules when taking a quiz: This is not a collaborative effort, we need to keep our eyes on our own paper, once EVERYONE has finished the quiz we will begin the lyric assignment, and only then will we be allowed to talk, etc.

~constantly walk around the room as the students are taking the quiz!

~have students raise their hands when they are finished with the quiz.

~collect the quizzes. Students should not get up from their desks until all quizzes are collected.

~have students get out a pen and paper for the lyric assignment. They will be asked to write the title of each song (remind students that titles of songs are written within quotation marks), and comment on how the songs relate to the novel.

 


 

Cold Sassy Tree Quiz One: Chapters 1-17 Name____________________

Characterization:

Short answer: (2 pts.)

Where and in what year does the story take place?

Match each character with his/her description. Place the corresponding letter in the first column: (2 pts.)

  Will Tweedy

A. Mary Willis' sister and Will's aunt, she is twenty years old

with curly red hair.

  Grandpa Blakeslee

B. Will's grandma, Grandpa Blakeslee's wife. Has been dead only

three weeks when GB announces his engagement.

  Mary Willis C. Aunt Loma's husband
  Aunt Loma D. Fifty-nine years old, Will's grandfather
  Mary Toy E. Fourteen years old, narrator of the story
  Uncle Camp F. Woman Grandpa Blakeslee plans to marry
  T.R. G. Will's little sister
  Campbell Jr. H. Will's mother, GB's daughter, Aunt Loma's sister
  Love Simpson I. Will's brown and white bird dog
  Mattie Lou J. The Tweedy family's housekeeper
  Hosie Roach K. Mill girl that Will likes
  Lightfoot McClendon L. Aunt Loma and Uncle Camp's baby son
  Queenie

M. Man who occasionally works for the Tweedys', saves Will's

dog from the train

  Loomis N. Twenty-one year old mill worker, who is in Will's class at

school

Respond to the following passages. Who is talking? To whom are they talking? Describe the context of the situation. (Refer to the chart). (5 pts.)

Who is talking?

To whom?

Context of situation:

"Well good gosh a'mighty! She's dead as she'll ever be, ain't she? Well, ain't she?"    
"B'ess his li'l heart, he be's hongry."    
"You need y'hair cut Mr. Blakeslee. Soon's I git better I'm go'n cut it trim y'beard."    
"She’ll get the store, that’s what she’ll do! And this house! Maybe everything he owns!"    
"Love’s daddy fought on the union side of the war. That by itself should of made Pa think twice, feelin’ like he does about Yankees."    
"Gosh a’mighty! If’n I’d a-knowed y’all had made up a party for us, we’d a-got here sooner!"    
"I’m a-comin, Will! I’m go’n holp you!"    

Short answer (3 pts)

The following is an example of what literary term? How so?

Why is the town called Cold Sassy?

Describe the main conflicts in the story so far (at least two):

From what point of view is the story told? How do you know?

Do you feel that Will is a credible narrator? Why or why not?

 

 

Vocabulary: Show the relationship of each item around the 'triangles' in a sentence then write a short definition of the italicized word. (2 pts.):

genteel
hair Aunt Loma

 

lockjaw
Bluford Jackson Will Tweety

 

trestle
T.R. Will Tweety


 

pottage
Mary Willis Hoyt


 

privie
Mary Willis Grandpa


 

Katzenjammer Kids
Will Tweety mourning

 

suffragette
voting Love Simpson

 

arbor
Mattie Lou Grandpa

 

veranda
Will Tweety parade

 

creosote
engine train tracks

 

Sentence:

Definition:

Sentence:

Definition:

Sentence:

Definition:

Sentence:

Definition:

Sentence:

Definition:

Sentence:

Definition:

Sentence:

Definition:

Sentence:

Definition:

Sentence:

Definition:

Sentence:

Definition:

 



 

Shannon E. Sullivan

Day Seven

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 33, 34, 29, 40, 41, 42

General Objectives:

Students will:

read a wide range of texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world.

apply a wide range of strategies comprehend, interpret, and evaluate, and appreciate texts as they draw on their prior experiences and their interactions with other readers and writers.

develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

Today we will begin our study of theme and how such applies in Cold Sassy Tree. The students will be asked to examine their written copy of their chosen lyrics (from lyric assignment) to identify the theme(s). They will also compare those themes to the themes in CST . As we continue to evaluate our characters from the discussions of week one, we will discuss the characters’ connection with the thematic elements in the novel.

Specific Objectives:

Students will:

vary reading speed and methods (28).

identify structural elements of literature (29).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

write well-developed paragraphs with clear, controlling ideas (39).

write in narrative, descriptive, persuasive, or expository forms of writing (40).

use precise punctuation, capitalization, spelling, and other elements of manuscript form (41).

write for a variety of purposes (42).

Procedures:

Teacher will:

present a mini lesson on theme (refer to Supplementary Materials: "Theme Notes").

ask students to refer to their lyrics to identify the theme(s).

assign students to take ten minutes to gather their discussion circle information from the weekend reading assignment (ask students to use their discussion circle tasks to explore theme).

ask students to present their information in their discussion circles.

play the cassette version of Chapters Twenty-one, Twenty-two, and Twenty-three.

give students their graded character analysis papers and discuss with them some of the prominent errors that were found.

ask students to write a reader-response (five paragraph essay format) to the chapters read in class while focusing on the development or progression of theme and how such relates to the characters. Remind them to keep in mind the errors previously discussed as this assignment will count as ten points on the Quiz Two: Theme.

Closing:

Students will be asked what questions they have concerning theme. They will also be made aware that tomorrow they will be involved in a scavenger hunt in the library/computer lab to further explore the themes in CST and to prepare them for an upcoming project.

Evaluation:

The discussion circle tasks will be collected and graded for content.

Materials:

Pen/pencil, paper, notebooks, copy of CST, cassette player, cassette tape of novel, theme notes, overhead projector, overhead markers

Assignments:

Students will be instructed to read Chapters Twenty-four and Twenty-five for homework.

Extenders/Backup:

If students finish their work early, they may begin reading the chapters assigned for homework.

Provisions for Individual Differences:

These students may be asked to brainstorm a list of themes and situations for their reader response assignment and will be required to choose two to discuss in a paragraph each.

Teacher Notes:

~Ask students: What is theme? Give them a few minutes to construct a definition. Put their suggestions on an overhead.

~Ask students: What is the theme(s) in CST? Create a list with the students.

~Walk around the room while students are writing essays. Offer help and suggestions when needed (students ask questions, students are struggling, etc.).

~Discuss problems with papers (share examples): run-ons, fragments, capitalization, punctuation, paragraph indentations, transitions, etc.

~Vocabulary: annulled: ended, done away with, grip: a small bag for holding clothes, predestination: the doctrine that God foreordains everything that happens, gelding: a castrated male horse, truck: exchange or barter
 


THEME NOTES:

 

~Central or unifying element of a story which ties everything together.

~Usually presented indirectly through the elements or strategies of fiction.

~Any given work has multiple meanings.

~Theme tells how the subject is developed within the work.

~A work may contain several themes.

~Some themes may be descriptive rather than prescriptive, exposing problems rather than offering solutions.

 

 

Questions:

What themes have you noticed developing so far in CST?

What from above can you relate to CST?

 


Honors Literature and Composition Grade: 9

ESSAYS: (10%)

All essays should include the following:

A thesis statement (What is your essay about--to what theme, situation, event, etc. are you referring?) *May be appropriate to include a brief summary.

Smooth transitions joining each of the five paragraphs (Are your paragraphs logically connected?)

Main ideas with supporting details (Why, how, what, how many, where, etc.?)

A strong conclusion (Have you pulled everything together well? Is there a sense of closure, or do you find yourself asking "so what"?)

Correct punctuation, capitalization, and spelling

 



 

Shannon E. Sullivan

Day Eight

Honors Literature and Composition Grade: 9

QCC(s): 27, 29, 32, 33, 34, 36

General Objectives:

Students will:

read a wide range of texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world.

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts as they draw on their prior experiences through their interactions with other readers and writers.

conduct research on issues and interests, gather, evaluate, and synthesize data from a variety of sources to communicate their discoveries in ways that suit their purpose and audience.

use a variety of technology and information resources to gather and synthesize information and to create and communicate knowledge.

develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

As we continue to study theme, we will engage in a scavenger hunt to collect specific information regarding the themes discussed in Cold Sassy Tree. The information gathered from this scavenger hunt will apply to a research project and presentation upon completion of the study of theme.

Specific Objectives:

Students will:

use the features of print materials appropriately (27).

identify the structural elements of literature (29).

experience a variety of print and non-print resources as part of the study of literature (32).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

conceive and develop ideas about a topic for the purpose of speaking to a group, choose and organize related ideas, present them in standard American English, and evaluate similar presentations by others (36).

Procedures:

Teacher will:

briefly summarize the previous night’s reading. Ask students to share what questions they may have.

read Chapters Twenty-six and Twenty-seven aloud to the students.

ask students to write a short summary and response to the reading (to be included in journals).

distribute the scavenger hunt list.

take students to the library/computer lab to begin scavenger hunt.

monitor student progress and behavior during hunt.

check students’ progress at the end of class (group with most items found and explained will receive six bonus points on Quiz Two, next group will be given five points, the next group four, and so on.

ask students to turn in a sheet of paper and include their name and top three choices from hunt to explore for project (due Friday).

Closing:

Students will be given the opportunity to share their hunt discoveries with other groups. Teacher will hand out a rubric for the project and explain what will be expected. The students will be made aware that tomorrow, in their groups, they will be expected to focus on one theme and its development throughout what they have read thus far of the novel.

Evaluation:

Students will receive a grade for completing their scavenger hunt list.

Materials:

scavenger hunt lists, paper, pen/pencil, copy of CST

Assignments:

Students will need to read Chapters Twenty-eight and Twenty-nine for homework. Also, students need to decide who they will interview (due Monday) and be prepared to brainstorm some questions they might ask in class on Wednesday.

Extenders/Backup:

Students may begin their homework reading assignment if they finish their class work early.

Provisions for Individual Differences:

None needed as students will be working in groups.

Teacher Notes:

~vocabulary: sacrilegious: failure to show proper respect for religion

~monitor students in library

~meet with each group to see their progress and ask if they have any questions. Ask them questions about what they’ve found so far. What did they find particularly interesting?

 


Day Eight Shannon E. Sullivan

Honors Literature and Composition Grade: 9

Instructions: You will engage in a scavenger hunt to locate as much information as you can about the items on the list. The items will later serve as research topics. Any information gathered should reflect how they relate in 1906-07. This activity will be graded along with your theme presentation/project for 15% over your overall grade.

Scavenger Hunt:

History of Coca-Cola

Music, dance halls, the early phonograph

Photography

Comic strips (Katzenjammer Kids)

History of mail order stores (Sears and Roebuck)

Telephone operators ("telephone hello girls")

Atlanta in 1900

Suffragette Movement

Railway and steamboat transportation

The debut of the automobile

Electricity (inventions up until 1907)

Cotton mills in the South

Plight of the textile mill workers

Public education

Southern rural language (dialect, idioms…)

Status of African Americans

Relationship between the North and South

Olive Ann Burns

Customs surrounding death

Customs surrounding marriage and divorce

Women’s fashions

Men’s fashions

Entertainment

Southern architecture

Hair dressing

Social structure

Traveling theater groups

Folk medicine and remedies and the Pure Food and Drug Act

 

Borrowed from:

Taylor, Ann. Secondary English Educator at Etowah High School. 10/02

 



 

Shannon E. Sullivan

Day Nine

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 33, 34, 36, 40, 42

General Objectives:

Students will:

read a wide range of texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world.

apply a side range of strategies to comprehend, interpret, evaluate, and appreciate texts as they draw of their prior experience and their interactions with other readers and writers.

develop and understanding of and a respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable. Reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

Today we will continue our study of the thematic elements present in Cold Sassy Tree. Students will be given a passage at the beginning of class and asked to respond to it in a half page journal entry and compare it to the novel. Students will divide into their discussion circles and will each be assigned a different theme. They will spend the majority of the class period tracing that theme throughout the novel.

Specific Objectives:

Students will:

vary reading speed and methods (28).

identify the structural elements of literature (29).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

conceive and develop ideas about a topic for the purpose of speaking to a group, choose and organize related ideas, present them clearly in standard American English, and evaluate similar presentations by others (36).

writes in narrative, descriptive, persuasive, or expository modes of writing (40).

writes for a variety of purposes (42).

Procedures:

Teacher will:

present students with a passage to which they will respond.

lead students in a discussion of how the passage relates to the novel or what they know about the South in general.

read Chapter Thirty aloud.

play the cassette version of Chapters Thirty-one and Thirty-two

instruct students to discuss pre-assigned themes in their groups (in preparation for the quiz on Friday) (They we be given questions to guide this assignment).

ask students to discuss what they have discovered as a class.

Closing:

Students will be asked if they have any questions regarding the themes in CST thus far. They will be reminded that we will have a small review game on Thursday in preparation for Friday’s quiz. They will also be given some time on Thursday to complete their projects/presentations that are due on Friday.

Evaluation:

Completed questions from the discussion circles will be collected and graded.

Materials:

Overhead projector, projector pens, Cold Sassy Tree, paper, pen/pencil

Assignments:

For homework students will be assigned to read Chapters Thirty-three and Thirty-four

Extenders/Backup:

If students finish early, they can begin their homework reading assignment

Provisions for Individual Differences:

None should be needed for today because most of what the students will be doing is group work.

Teacher Notes:

Passage for warm-up:

"Southern stories treat concerns of growing up common to all regions: loss of innocence, sexual awakenings, family relationships, social adjustments, schools and teachers, religions and values, emotional development and growing responsibility. They also explore regional concerns that have been specific to the South: a love of storytelling, a preoccupation with family and with manners, the support and suffocation occasioned by a close-knit community, a concern with race relations, social classes, and gender roles, and a passion for a place that is tied up with the past and with rural life." ~Suzanne Jones, Growing up in the South

Student directions:

Respond to the passage. How does this relate to what we’ve read so far in the novel.

Questions for discussion circles:

How is your chosen theme first introduced in the novel?

How does your theme develop throughout the novel?

What is "typically southern" about the way in which this theme is expressed and handled in the novel?

Give your personal response to the theme.

 



 

Shannon E. Sullivan

Day Ten

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 32, 33, 34, 39, 40

General Objectives:

Students will:

read a wide range of texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world.

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts as they draw on their prior experience and their interactions with other readers and writers.

adjust their use of spoken, written, and visual languages to communicate effectively.

develop an understanding of and respect for diversity in language use, patterns, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.


use spoken, written, and visual language to accomplish their own purposes.

Introduction:

Today we will listen to the cassette version of Chapters Thirty-five and Thirty-six and the students will respond to a theme of their choice that is explored in any of those chapters including the previous night's homework reading assignment in a one-page, reader response journal format. Each student will then provide an illustration that demonstrates that which they have discussed in their journals. The day will conclude with a review game to help the students to prepare for the upcoming quiz on Friday.

Specific Objectives:

Students will:

vary reading speed and methods according to the type of material and the purpose of reading (28).

identify structural elements of literature (29).

experience a variety of print and non-print resources as a part of the study of literature (32).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

write well-developed paragraphs with clear, controlling ideas (39).

write in narrative, descriptive, persuasive, or expository modes of writing (40).

Procedures:

Teacher will:

play the cassette version of CST.

assign students to write a five paragraph essay response to the theme of their choice from the material covered in class and the previous night's homework (see Teacher Notes for possible themes).

distribute colored paper and markers/crayons/colored pencils for illustration.

lead students in a review game for upcoming quiz (BINGO format) (See Supplementary Materials).

Closing:

Students will be asked if they have any questions concerning the upcoming quiz. They will be instructed to bring a final copy of their essays with them tomorrow for it will count up to ten extra points towards their quiz (See Supplementary Materials for guidelines on all final drafts).

Evaluation:

The students' illustrations will be collected and graded in the miscellaneous/participation category. Essays will be collected with the quiz on Friday.

Materials:

Cassette player, cassette tape of CST, paper, pen/pencil, colored paper, markers, crayons, colored pencils, "BINGO boards and chips"

Assignments:

Students will need to study for Quiz Two (Chapters Eighteen-Thirty-six) for homework.

Extenders/Backup:

If there is time remaining at the end of class, students can quietly study for the quiz in their discussion groups.

Provisions for Individual Differences:

Students with special needs will be allowed to take more time to complete their essays. Only an outline will be due at the time of the quiz, and they will be given the weekend to finish the essay.

Teacher Notes:

Possible themes:

~prejudices and social constraints, the dawning of a modern era, growth and maturity, etc.

Possible items to include in game:

_________ is an example of ___________

(bingo board will list various situations, themes will be printed on chips, students will match their chips to the correct square).

Situations/theme:

~Love Simpson adds her name to the family Bible/importance of family

~treatment of LS/prejudice

~chapter 27/finding joy and humor in a not so joyful and humorous life

~Queenie must use a different set of dishes/injustice of racism in the South

~"Yankee"/racism

~town reaction to Loomis' preaching for GB/racism

~chapter 35/povery and the mill children

~purchasing of the automobile/dawning of a modern era

Vocabulary: excrement: waste matter from the bowels

 


 

Cold Sassy Tree Bingo

 

 

 

 

     
 

 

 

 

     
 

 

 

 

     
 

 

 

 

     

 

*NOTE: One copy of above diagram will be placed on an overhead as a demonstration. Students will each receive their own copy. Students will place their questions and/or answers along with teacher’s previously chosen items on their sheet as teacher calls items out. Each student will be given tokens/game pieces. Review game will be played like traditional Bingo.

 



 

Shannon E. Sullivan

Day Eleven

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 33, 34, 36

General Objectives:

Students will:

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts as they draw on their prior experiences and their interactions with other readers and writers.

adjust their use of spoken, written, and visual language to communicate effectively.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

Today the students will be given a quiz wherein they will be expected to demonstrate an understanding of theme and the development thereof as such is presented in Cold Sassy Tree. The students will also present their research projects concerning their item of choice (derived from the scavenger hunt list) as if they were news reporters witnessing and sharing their topics as each occurred in Cold Sassy.

Specific Objectives:

vary reading speed and methods according to the type of material and purpose of reading (28).

identify the structural elements of literature (29).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

conceive and develop ideas about a topic for the purpose of speaking to a group, choose and organize related ideas, and present them clearly in standard American English, and evaluate similar presentations by others (36).

Procedures:

Teacher will:

answer any questions the students may have concerning the quiz.

distribute the quiz.

review with students exactly what is expected of them during their presentations (see Teacher Notes).

Closing:

The students will be informed that next week we will begin our concentration and exploration of language and dialect as such is portrayed in Cold Sassy Tree. They will also be reminded that they need not forget what has been covered thus far as we will continue to study the development of both character and theme.

Evaluation:

The quizzes as well as the projects will be collected and graded (refer to syllabus for grade distribution).

Materials:

Pen/pencil, paper, notebooks, copy of CST, all finished projects, projector for PowerPoint and pictures

Assignments:

The students will be assigned to read Chapters Thirty-seven, Thirty-eight, Thirty-nine, and Forty (pages 256-280) for homework. They will also need to find subjects for their upcoming interviews (will be due on Thursday) (See Supplementary Materials: "Interviews").

Extenders/Backup:

If the students finish early they may begin their homework reading assignment.

Provisions for Individual Differences:

These students will be allowed to take their quizzes in the library under supervision.

Teacher Notes:

Expectations for presentations:

~Everyone should clap for every student before and after presentations.

~students will be asked in no particular order to comment on each presentation, giving the presenter one compliment on something they did well and telling them one area that could use improvement.

~Students should speak on their topic for 2-3 minutes, and should include historical information as well as how the topic relates to Cold Sassy.

~See Supplementary Materials for complete details of the assignment.

 


Shannon E. Sullivan

Literature and Composition Grade: 9

Presentation/Project

You will present a discussion of your topic (derived from scavenger hunt list) as if you are an eye-witness/reporter of the event as it occurs in/relates to the town of Cold Sassy in 1906-07.

"Report" must be at least two minutes in length.

Report must relate not only to Cold Sassy, but should also include factual historical information.

Visuals are highly recommended (hint, hint!)

You must also submit a one page written explanation of your "report" as well as evidence of your research.

When presenting:

Clearly state your topic.

Infuse the main discussion with historical information.

Conclusion should wrap up report and reaffirm/revisit the details previously mentioned.

 

 


 

Cold Sassy Tree Quiz Two: Chapters 18-36 Name____________________

Theme:

I. Turn in essay (10 points).

II. Give an example from the novel for each of the topics below. Include a brief summary of the incident and how it affected or related to the characters involved. Also include your personal response to the incident (personal responses are always correct as long as you support your opinion!): (12 points each)

 

Racial prejudice:

 

Class prejudice:

 

Dealing with death:

 

Personal growth:

 

Dawning of a new era (technological advancement):

 

Poverty:

 

 

 

III. Vocabulary: Match the term with the definition. (3 points each):

  Mill children A. Someone from the North, Miss Love Simpson
  Sacrilegious B. A small bag for holding clothes
  Yankee C. Failure to show proper respect for religion
  Annulled D. Worked in the mills, referred to as "lint heads"
  Grip E. To take away the sacredness of
  Desecrate F. Ended, done away with

Bonus (5 points):

Explain how the concept of the family as both a burden and a blessing relates to the novel.

 



 

Shannon E. Sullivan

Day Twelve

Honors Literature and Composition Grade: 9

QCC(s): 28, 29, 32, 33, 34, 36, 42

General Objectives:

Students will:

read a wide range of texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world.

apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts as they draw on their prior experiences and their interactions with other readers and writers.

adjust their use of spoken, written, and visual language to communicate effectively with a variety of audiences and for different purposes.

develop an understanding of and respect for diversity in language use, patters, and dialects across cultures, ethnic groups, geographic regions, and social roles.

participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.

use spoken, written, and visual language to accomplish their own purposes.

Introduction:

This week as we continue to study Cold Sassy Tree, we will begin our discussion of the typical Southern dialect. Today we will reevaluate the Any Griffith cassette tape and hear for the first time a Jerry Clower cassette as we become aware of our dialectical differences. This lesson will build on our awareness of the language as we prepare to tackle various activities throughout the week including conducting interviews with southern individuals of our choice, engaging in a brief research project of the Southern dialect and its origin, and creating a "Southernized" travel brochure inviting people to the town on Cold Sassy.

Specific Objectives:

Students will:

vary reading speed and methods according to the type of material and purpose of reading (28).

identify the structural elements of literature (29).

experience a wide variety of print and non-print resources as a part of the study of literature (32).

engage critically and constructively in discussions by speaking and listening (33).

follow multipart instructions and ask questions for clarification (34).

conceive and develop ideas about a topic for the purpose of speaking to a group, choose and organize related ideas, present them clearly, and evaluate similar presentations by others (36).

write for a variety of purposes (42).

Procedures:

Teacher will:

ask students to orally summarize the weekend reading.

answer any questions they may have.

Read aloud Chapter Forty-one (may ask for volunteers to read).

play the Andy Griffith and Jerry Clower tapes.

instruct students to make a list of southern words as they hear them from the tapes.

instruct students to join their groups, skim their novels, and make a list of southern words/phrases that they find.

ask students to make up (educated guesses, no dictionaries allowed) definitions for the words.

ask each group to share their words and definitions with the class.

construct a master list on the overhead.

Closing:

Students will be asked to turn in their word list/definitions and will be made aware that we will be using them on Tuesday to research the real meaning and origin using the internet and other library resources.

Evaluation:

Students’ lists will be collected and graded in the participation category (10%).

Materials:

Paper, pen/pencil, copy of n